Headline of the Day

Why Elon Musk Needs Dungeons & Dragons to Be Racist

—The Atlantic on why Elon Musk completely lost his sh%$ on the current owner of D&D releasing a book that admitted that the early stuff was just a bit racist.

Elon Musk does not object to being called a racist, he objects to people being offended by racism.

The fall of Constantinople wiped the last living Roman civilization from the Earth. The city’s refugees fled west, helping spark the Renaissance; its legacy shaped the religious traditions of millions and the modern map of Europe and the Middle East. The fall also inspired a book, which inspired a game, which inspired the world’s richest man to lash out because his favorite role-playing game wasn’t as racist and sexist as it used to be.

Last November, on X, the billionaire tycoon Elon Musk told the toy company Hasbro to “burn in hell.” Hasbro owns the company Wizards of the Coast, which produces the game Dungeons & Dragons. Wizards had just released a book on the making of the game that was critical of some of its creators’ old material. “Nobody, and I mean nobody, gets to trash” the “geniuses who created Dungeons & Dragons,” Musk wrote. The book acknowledged that some earlier iterations of the game relied on racist and sexist stereotypes and included “a virtual catalog of insensitive and derogatory language.” After a designer at Wizards said that the company’s priority now was responding to “progressives and underrepresented groups who justly took offense” at those stereotypes, and not to “the ire of the grognards”—a reference to early fans such as Musk—Musk asked, “How much is Hasbro?,” suggesting that he might buy the company to impose his vision on it, as he’d done with Twitter.

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D&D wouldn’t exist without J. R. R. Tolkien’s The Hobbit, fantasy’s seminal 20th-century text, published in 1937. When Tolkien’s German publisher, to comply with Nazi racial laws, tried to determine whether the author was Jewish, Tolkien was outraged. A draft of his response reads: “If I am to understand that you are enquiring whether I am of Jewish origin, I can only reply that I regret that I appear to have no ancestors of that gifted people.” He expressed his disgust to his British publisher: “I have many Jewish friends, and should regret giving any colour to the notion that I subscribed to the wholly pernicious and unscientific race-doctrine.”

Unfortunately, a “pernicious and unscientific race-doctrine” permeated the era in which The Hobbit, and the Lord of the Rings series that followed it, were written, an era in which many Westerners believed that “races” shared particular natures, characteristics, and capabilities. That genetic determinism seeped into the books. Although uncountable readers were inspired by the tales of its diminutive heroes defying stereotypes to save the world, some drew other conclusions. The books, and the ideas embedded in them, would go on to have a magnetic appeal to the political forces Tolkien had rejected.

Today, we can see their influence on right-wing populists in business and politics all over the world.The billionaire Peter Thiel named his software company, Palantir, after the crystal ball in The Lord of the Rings, while his AI company, Anduril, is named for the sword of the human hero Aragorn. Joe Lonsdale, an investor in Anduril and Palantir, founded a crypto-focused bank called Erebor, after the dwarfs’ mountain fortress. Vice President J. D. Vance named his venture-capital firm Narya, after Gandalf’s magic ring. Giorgia Meloni, the far-right prime minister of Italy, and defender of “Italianity” against what she sees as the dilution of immigration, is a Tolkien obsessive who sees in hobbits, dwarfs, and elves the “value of specificity.” When Peter Jackson’s Oscar-winning adaptation of the Lord of the Rings trilogy came out in the 2000s, conservative writers embraced the films as a metaphor for George W. Bush’s war in Iraq.

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If your identity was built around being a fan of a marginal pastime, de-geekification meant that suddenly, you weren’t as special anymore. Comic books, video games, fantasy and science fiction, role-playing games such as Dungeons & Dragons—they were all getting more popular, and trying to appeal to new audiences. Not everyone was happy with the changes that effort inspired.

Those who objected could be divided into two categories: people who found the simpler and more flexible game to be bland; and people who didn’t like the game getting “woke.” This is a slippery term, but it often boils down to things not being quite as racist or sexist as they used to be.

Racists don''t just want to be racism to be accepted, they demand that society continues to promulgate racism.